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El propósito de Memoria Virtual, que es una pieza de arte conceptual aplicado creada para la bienal Interactiva 03, es conservar la historia del arte mexicano contemporáneo para fortalecer nuestra identidad nacional, local en un mundo cada vez más globalizado y homogeneizado.
Ir a Memoria Virtual
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EXHIBITION, LECTURE AND PERFORMANCE by MONICA MAYER and VICTOR LERMA
VIRTUAL DUALITY consisted in the presentation of an exhibition of interchangeable multiple originals on acetate made by both of us, a lecture on our work and a performance.
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 Rubén Valencia (México D.F., 1950), whom we consider a fundamental artist for contemporary Mexican art died in 1990.
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 Although we were unable to find a more poetic title for this third digital art project carried out in collaboration with Humberto Rodríguez Jardón.
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 As you have probably already noticed, documentation is one of our main concerns. The lack of specialized texts and catalogues makes it, seems as though the artistic production in México is scarce. We have noticed, for example, that large electrography exhibitions come from abroad, but there is not one single catalogue on Mexican production.
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After our success with Proyecto Mimesis in 1993, we decided to undertake a second digital art project in colloboration with Humberto Rodríguez Jardón. This time we were a bit less ambitious as far as participants were concerned, for, apart from the three of us we only invited Helen Escobedo, Manuel Felguérez , Andrea di Castro and Manuel Marín. However, anxious to work with new equipment we used Canons BJA1 which allowed us to enlarge our works to a 12 sq. meter format.
Arquerotipo was presented at the Academia de San Carlos during a symposium called Otras Artes.
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In 1991 Fernando Gallo and Maria Antonieta Marbán from Los Caprichos and us organized Projecto Mimesis, a digital art portfolio of prints made with Canon´s CLC500 color laser photocopying equipment which had recently arrived in Mexico. The project was sponsored by Canon Latinoamérica de México S.A. de C.V.
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